Black Studies

The numerous essays by many of the state's leading historians in African American Connecticut Explored document an array of subjects beginning from the earliest years of the state's colonization around 1630 and continuing well into the 20th century. The voice of Connecticut's African Americans rings clear through topics such as the Black Governors of Connecticut, nationally prominent black abolitionists like the reverends Amos Beman and James Pennington, the African American community's response to the Amistad trial, the letters of Joseph O. Cross of the 29th Regiment of Colored Volunteers in the Civil War, and the Civil Rights work of baseball great Jackie Robinson (a twenty-year resident of Stamford), to name a few. Insightful introductions to each section explore broader issues faced by the state's African American residents as they struggled for full rights as citizens. This book represents the collaborative effort of Connecticut Explored and the Amistad Center for Art & Culture, with support from the State Historic Preservation Office and Connecticut's Freedom Trail. It will be a valuable guide for anyone interested in this fascinating area of Connecticut's history.

Contributors include Billie M. Anthony, Christopher Baker, Whitney Bayers, Barbara Beeching, Andra Chantim, Stacey K. Close, Jessica Colebrook, Christopher Collier, Hildegard Cummings, Barbara Donahue, Mary M. Donohue, Nancy Finlay, Jessica A. Gresko, Katherine J. Harris, Charles (Ben) Hawley, Peter Hinks, Graham Russell Gao Hodges, Eileen Hurst, Dawn Byron Hutchins, Carolyn B. Ivanoff, Joan Jacobs, Mark H. Jones, Joel Lang, Melonae' McLean, Wm. Frank Mitchell, Hilary Moss, Cora Murray, Elizabeth J. Normen, Elisabeth Petry, Cynthia Reik, Ann Y. Smith, John Wood Sweet, Charles A. Teale Sr., Barbara M. Tucker, Tamara Verrett, Liz Warner, David O. White, and Yohuru Williams.

he suggest several narrative counseling techniques and relates these techniques to narrative aspects of preaching and worship in the black church. By linking personal stories and the pastor's stories to the heart language of the Bible stories, counselors can use God's unfolding dramas to bring healing and reconciliation to human lives.

This volume in the Library of Theological Ethics series draws on writings from the early nineteenth through the late twentieth centuries to explore the intersection of black experience and Christian faith throughout the history of the United States. The first sections follow the many dimensions of the African American struggle with racism in this country: struggles against theories of white supremacy, against chattel slavery, and against racial segregation and discrimination. The latter sections turn to the black Christian vision of human flourishing, drawing on perspectives from the arts, religion, philosophy, ethics, and theology. It introduces students to major voices from African American Christianity, including Frederick Douglass, Richard Allen, W. E. B. DuBois, Marcus Garvey, Martin Luther King Jr., Bayard Rustin, Barbara Jordan, James H. Cone, and Jacqueline Grant. This is the essential resource for anyone who wishes to understand the role that Christian faith has played in the African American struggle for a more just society.

A classic work of feminist scholarship, Ain't I a Woman has become a must-read for all those interested in the nature of black womanhood. Examining the impact of sexism on black women during slavery, the devaluation of black womanhood, black male sexism, racism among feminists, and the black woman's involvement with feminism, hooks attempts to move us beyond racist and sexist assumptions. The result is nothing short of groundbreaking, giving this book a critical place on every feminist scholar's bookshelf.

During World War II, the rising visibility of anticolonial and antiracist movements exposed contradictions between the U.S. democratic mission in Europe and racist practices against people of color at home. Yet the professional success stories of people of color gave ideological support to the notion that liberal antiracism was spreading within the United States.

Challenging conventional accounts of U.S. ethnic literature rooted in 1960s and 1970s social movements, Cynthia H. Tolentino sees this literary work as emerging from a political climate in which arguments about the integration of racial minorities and the moral legitimacy of U.S. international leadership are intertwined. Probing how sociologists including Robert E. Park, Gunnar Myrdal, and Emory Bogardus situated Asian Americans, Filipinos, and African Americans as model citizens and problems, Tolentino contends that such studies served as a staging ground for writers of color to become narrators of racial identity, citizenship, and U.S. neocolonialism.

Tracing the literary engagements of Richard Wright, Carlos Bulosan, and Jade Snow Wong with the sociology of race, Tolentino assesses their works as critical expressions of class negotiation on the global stage and illuminates the significance of U.S. ethnic literature.

At the age of 19, scared and illiterate, James Pennington escaped from slavery in 1827 and soon became one of the leading voices against slavery prior to the Civil War. Just ten years after his escape, Pennington was ordained to the ministry of the Congregational Church after studying at Yale. Moving to Hartford, he became involved with the Amistad captives and founded the first African American mission society.

As he fought for equal rights in America, Pennington's voice was not limited to the preacher's pulpit. He wrote the first-ever "History of the Colored People" as well as a careful study of the moral basis for civil disobedience, which would be echoed decades later by Gandhi and Martin Luther King, Jr. More than a century before Rosa Parks took her monumental bus ride, Pennington challenged segregated seating in New York City street cars, for which he was beaten and arrested.

American to the Backbone brings to life this fascinating, forgotten pioneer, who helped lay the foundation for the contemporary civil rights revolution and inspire generations of future leaders.

Acclaimed public intellectual and best-selling author Michael Eric Dyson uses the fortieth anniversary of King's assassination as the occasion for a provocative and fresh examination of how King fought, and faced, his own death, and we should use his death and legacy. Dyson also uses this landmark anniversary as the starting point for a comprehensive reevaluation of the fate of Black America over the four decades that followed King's death. Dyson ambitiously investigates the ways in which African-Americans have in fact made it to the Promised Land of which King spoke, while shining a bright light on the ways in which the nation has faltered in the quest for racial justice. He also probes the virtues and flaws of charismatic black leadership that has followed in King's wake, from Jesse Jackson to Barack Obama.

Always engaging and inspiring, April 4, 1968 celebrates the prophetic leadership of Dr. King, and challenges America to renew its commitment to his deeply moral vision.

Among his brood of seven, his main challenges were Ta-Nehisi, spacey and sensitive and almost comically miscalibrated for his environment, and Big Bill, charismatic and all-too-ready for the challenges of the streets. The Beautiful Struggle follows their divergent paths through this turbulent period, and their father's steadfast efforts--assisted by mothers, teachers, and a body of myths, histories, and rituals conjured from the past to meet the needs of a troubled present--to keep them whole in a world that seemed bent on their destruction.

With a remarkable ability to reimagine both the lost world of his father's generation and the terrors and wonders of his own youth, Coates offers readers a small and beautiful epic about boys trying to become men in black America and beyond.

Praise for The Beautiful Struggle

"I grew up in a Maryland that lay years, miles and worlds away from the one whose summers and sorrows Ta-Nehisi Coates evokes in this memoir with such tenderness and science; and the greatest proof of the power of this work is the way that, reading it, I felt that time, distance and barriers of race and class meant nothing. That in telling his story he was telling my own story, for me."--Michael Chabon, bestselling author of The Yiddish Policemen's Union and The Amazing Adventures of Kavalier & Clay